I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.
I'm just so glad that girl power is working in Hollywood.
I'm so glad that Hollywood and America are embracing women when they get in their 40s instead of putting us out to pasture.
Cougars are all the rage! I'm so glad that Hollywood and America are embracing women when they get in their 40s instead of putting us out to pasture.
I started in junior high doing the splits and flips and that kind of stuff. It was kind of the acceptable thing to do. But I had two older brothers, so I was a tomboy. I was the cute tomboy who could put on the skirt but then go tackle you or something. I was a little rough around the edges for a pretty woman!
When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.
I love chilling in a cute sweatsuit and wedge sandals or sneakers.
