I'm one of those apocalyptics. From the start of my immigrant days, I've been fascinated by end-of-the-world stories, by outbreak narratives, and always wanted to set a world-ender on Hispaniola.
In order to write the book you want to write, in the end you have to become the person you need to become to write that book.
I do think that we all draw limits and I feel like part of the work of an artist is it shouldn't be fun. This shouldn't be comfortable. I'm not looking to make people feel unsafe, but I am looking to make people feel uncomfortable.
Let me tell you, if I could write one-tenth as fast as some of my friends, I'd be made. I'd be it. But instead I happen to be, in the tree of life of writers, down at the bottom, with the hematodes.
I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished 'Drown' was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
I don't think I could have tackled 'The Pura Principle' until now. It takes me about twenty years to come to term with any difficult period in my life, to get enough of a grasp on it to fictionalize it.
