It wasn't a decision to become a writer. I wanted to become a writer of crime fiction. I was very specific.
A newspaper is the center of a community, it's one of the tent poles of the community, and that's not going to be replaced by Web sites and blogs.
As soon as I got to L.A., there was this big crime where these guys tunnelled underneath a bank on a three-day weekend and went right up to the vault and emptied everything out.
I first discovered Tampa in my 20s when I met my wife, who was living there, and I instantly fell in love with the city. It's somewhere between a big city and small town, so you get the feeling of both.
When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A. To me, it's about Harry Bosch, because he's the guy that does these things and has this experience.
My father was a builder. During my high school years, I worked for him. One summer, I was working with a guy who had just come back from Vietnam and had been a tunnel rat. He wouldn't talk about the experience, but it sounded really scary to me.