I auditioned for 'West Side Story' just like everybody else, and I nearly had a heart attack, because I hadn't danced in about - oh, I don't know, about 15 years.
I was a Spanish dancer. I don't mean to put that down, because that was great, too, but nothing like the kind of dancing you had to do in 'West Side Story,' which was called jazz.
I've always had this image of this strong, sprightly person who is undaunted by anything; on the contrary, I was one of the shyest, most unsure people you ever met in your life. But I have one very specific quality: I'm plucky. I really am. I would say that's a perfect description of my personality.
I make a lot of soups and stews at home, and I always have fresh bread with it.
I just love details; I love trying to make the reader smell what I was smelling at the time and see what I was seeing. Textures, too - all that kind of stuff is probably my strong suit as far as my writing goes, I would say.
Actors very often are people who think it's always about 'me,' and I can see why! No one else is going to support you or say, 'Gosh, I'm sorry about that,' or, 'Here, let me give you a job.' It doesn't happen that way. You can see why performers get very self-absorbed.
