I was a Spanish dancer. I don't mean to put that down, because that was great, too, but nothing like the kind of dancing you had to do in 'West Side Story,' which was called jazz.
I auditioned for 'West Side Story' just like everybody else, and I nearly had a heart attack, because I hadn't danced in about - oh, I don't know, about 15 years.
I've always had this image of this strong, sprightly person who is undaunted by anything; on the contrary, I was one of the shyest, most unsure people you ever met in your life. But I have one very specific quality: I'm plucky. I really am. I would say that's a perfect description of my personality.
I make a lot of soups and stews at home, and I always have fresh bread with it.
I just love details; I love trying to make the reader smell what I was smelling at the time and see what I was seeing. Textures, too - all that kind of stuff is probably my strong suit as far as my writing goes, I would say.
Actors very often are people who think it's always about 'me,' and I can see why! No one else is going to support you or say, 'Gosh, I'm sorry about that,' or, 'Here, let me give you a job.' It doesn't happen that way. You can see why performers get very self-absorbed.