Theatre is such a joy because it's a group effort. Everyone has to move in tandem. It was lovely to be able to carry that over into 'Barry.'
I moved to London when I was 19 and went to a three-year drama-and-conservatory training. I lived there for almost ten years.
You read so many scripts, especially pilots, that really feel like marbles in your mouth when you go to read them out loud.
The thing I love about theater is the fact that everyone's complicit. We're either there as a storyteller, or we're there as a listener, and it's basically a campfire situation.
I remember sitting in front of the British Museum and having a moment - an epiphany, I guess - that I just had to live here. And now that I have grown to understand the British sense of humour here, I love the culture, too.
Working with Henry Winkler is like the biggest dream come true. He's the mench of menches.
