You read so many scripts, especially pilots, that really feel like marbles in your mouth when you go to read them out loud.
I moved to London when I was 19 and went to a three-year drama-and-conservatory training. I lived there for almost ten years.
Theatre is such a joy because it's a group effort. Everyone has to move in tandem. It was lovely to be able to carry that over into 'Barry.'
The thing I love about theater is the fact that everyone's complicit. We're either there as a storyteller, or we're there as a listener, and it's basically a campfire situation.
I remember sitting in front of the British Museum and having a moment - an epiphany, I guess - that I just had to live here. And now that I have grown to understand the British sense of humour here, I love the culture, too.
Working with Henry Winkler is like the biggest dream come true. He's the mench of menches.
