It's not worth it, it's not about money, especially when you're dealing with a culture. It should be about elevating the idea of what we are and who we are as people in the cinema, and that kind of stuff keeps dragging us back down.
Westerns are simple stories where there's good and there's evil and where people had a sense of space and freedom. Growing up in the city, as a kid, you've never really seen that before. It's a beautiful dream to go from concrete to big skies, dirt and horses.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
When you're a director, and you look at Scorsese's work, he's always challenging us to push the envelope and break the rules. Someone like that is necessary and a godsend.
I watched the 'Seven Samurai' a lot because I loved it growing up. I can't describe to you how powerful that was. When you're a kid, you can't watch an almost-three-hour movie, but this was a war I just never saw before, with these samurai. I could relate to it, just being poor.
We talk about how hard it is now. But if we look back at the '60s, we actually had a president that was assassinated. We had riots, we had Vietnam, Martin Luther King, Malcolm X, the FBI, and the Black Panther war. There was so much happening at the time where it felt like America was coming apart at the seams.
