If you can channel the best part of you that is bigger than yourself, where itβs not about your ego and not about getting ahead, then you can have fun and you arenβt jealous of others. You see other people's talent as another branch of your own. You can keep it rooted in joy. Life is long and there are plenty of opportunities to make mistakes. The point of it all is to learn.
I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High.
Everyone has to pay their child support, and no matter if you're a Hollywood actor or anyone else, it's always a little bit more than you want to pay.
I always felt that a marriage works best at a farm... where you're together and everybody has clear-cut roles; they have chores, 'you take care of this' and you know. But it's hard.
Some people burn out, and some people like Clint Eastwood, he was a wild, international movie star in his 30s, and he's doing the best work of his life now. Go figure.
I've had a lot of experience in independent film, and about how to choose. You've got to be very discerning about where you put your five bucks, and where you cut and what you don't cut.
I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.
Nothing teaches you like getting leveled. And I got leveled in my early 30s. Nothing went exactly the way I thought it would.
I think that as soon as you think of yourself as a famous person or anything like that, you're objectifying yourself in some weird way.
I'm horrified to admit that I just love Salinger. I was devastated to find out that other people feel the same way.
The older I get, the more I realize how rare it is to meet a kindred spirit.
In all of our society, but especially in Hollywood, there is an obsession with perfection that can lead to self-loathing and neurosis and all that kind of stuff.
I remember being a kid and sleeping over at my friend's house and staying up late and watching 'Nosferatu.' Vampire movies are supposed to be secret and bad. They should be rated R.
I auditioned for Robert Redford once and I was so starstruck I couldn't even speak. I had a mic wire at a screen test clipped to me and then I got kind of nervous and I paced in a circle and then took a step and tripped and fell on my face. You just have to forgive yourself and keep going on.
The theater, for me, has always been a place where I'm free to be more creative, a place to sharpen my tools.
My relationship to reality has been so utterly skewed for so long that I don't even notice it any more. It's just my reality.
When you do 'Before Sunset,' you know while it's a limited audience, there was a very small group of people that love 'Before Sunrise.' You feel a certain pressure to make sure that you uphold a level of quality that has been a bar. You set a bar and you have to at least match it.
The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.
When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.
It's difficult to do a genre film well, and it doesn't matter if you're talking vampire movies or 'Dawn of the Dead' or 'The Thing' or 'Escape From New York.' Those kind of movies, they understand what the old-school B-movie is supposed to be, they get the throwback of it.
