What was so good about it was that the set that they originally built stayed there, and weathered over the five years. It got five summers and five winters of weather. It became more and more authentic as we worked in it, and they added bits to it.
I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.
It was doing very well; it was doing particularly well outside of England. It was a very big seller for Carlton Television. But it was getting more and more expensive to do.
It's often difficult to slough off all that we've acquired, all the comforts and safety nets modern life provides for us, and realize that in those days, people were living very much on the edge - life was incredibly hard!
Actors, I don't think, ever really grow up. I'm hoping that that rejuvenating process applies to me, too. It has so far. I've been very lucky.
I thought it was getting better and better, because the production values were increasing each time we did it.
