Being non-commercial is never an ambition. Movies come together at different points for fortuitous reasons. You do them as you get the opportunity, as opposed to doing them when you choose to or design to.
In 'True Grit,' we had a vulture, a trained vulture... that was a pain and that was - even by vulture standards - probably a stupid vulture, and that was frustrating.
It's hard to get away from being old. I still talk about the TV set.
You don't have to have a true story to make a true story movie.
Sergio Leone has this weird western opera thing.
People respond to real problems from the heart.