If you're going to do a show about somebody who dumped you, it's much richer if you have three characters dealing with different aspects of that theme. There is more space for people to identify with it.
When we did 'The Dragons' Trilogy,' China was a big, mysterious piece of rock that we never thought would even move. It was impenetrable, impossible to deal with.
A show is good when there is a meeting of time and space, when time and space become irrelevant.
Theatre is different. We can spend two weeks around a table talking about subtext. In opera, there is a score, and people already know their parts. And they move differently. I find all this liberating.
There's nothing sadder than when things happen the way you've planned them, because we don't have a lot of imagination, you know.
There's not a system better than another. There are some people better than others. I'm not anti-democracy, but there's no real system yet that has proven itself to be the right one.
