You know, master classes are essentially extended Q&As. That's how I always approach them. I don't mean to downplay it. It's just that I never fancy myself as someone who is taking a class. 'Master class' insinuates a teacher, and I'm not one.
Nobody is going to just come and give you money unless you've proven yourself, especially if you're doing something that is unconventional or unorthodox and outside the way the industry thinks.
My way of directing is definitely unorthodox, definitely unconventional.
'Tangerine' being my fifth film, I was out of favors. I couldn't afford to get the Arri Alexa or RED cameras and I definitely couldn't shoot on film.
I make dramedies, but 'Tangerine' really has a lot of comedy, and I saw that it had a great effect - it reached a larger audience.
I think with 'Tangerine' we were taking that gamble - it was a risk - that we could tell the story in a comedic fashion to attract an audience and shed light on an issue.
