Still, she really did seem to be absurdly into this. It was almost existentially unsettling, that two people in such close physical proximity could be experiencing the same moment so differently.
She puts her head on his shoulder, and for a second, it's like the other good night, the night of the bonfire, the brief lifting of the yoke, freedom from the circle: Marco hurting Anna, Anna hurting Ted, Ted hurting Rachel, these endless rounds of jealousy and harm.
He'd never empathized with Rachel more than he did in those moments, imagining what it would be like to be innocently eating lunch with a person who had been acting for all the world as though he liked you, who had given you no hint that anything was bothering him at all, when suddenly, out of nowhere, wham, it turned out you were completely wrong about him, and that everything he'd been telling you was a lie.
Every so often, over the next day or so, she would find herself in a gray, daydreamy mood, missing something, and she'd realize that it was Robert she missed, not the real Robert but the Robert she'd imagined on the other end of all those text messages during break.
He unrequitedly loved Anna; Anna unrequitedly loved Marco; Marco probably unrequitedly loved some rando none of them had ever met. The world was pitiless. Nobody had any power over anyone else.
Ted was wildly uncomfortable. He wasn't quite sure who Rachel was on a date with, but it didn't seem to be him. He'd contributed nothing to the outing; as far as he could tell, she could have brought an inflatable doll with her to the movie and had an equally good time.
For the first time, Ted imagined fucking Anna the way he (almost) fucked Rachel: cruelly, without concern for her comfort, fully acknowledging that as much as he loved her, he hated her, too.